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from what country? india. thousands of years ago and hundreds of years ago in india there were no movie theatres, no television, no radio, no comic books or no books for people like you and me to read. was this the same here? >> yes. all offer the world it was like that. ask your parents. they can tell you what it was like before the internet. so, people told stores. i bet you tell stories. did you tell a story today? >> yeah, i bet you did you went up to our friend and said, did you see that? your friend said, no, no he didn't. right? that's a story. so, i will tell you a story. in india, here we have super heroes like, tell me a hero. >> super man. we have super heroes in india. krishna. lifts mountains and throws them to the ocean to create bridges. i will tell you the story about a super hero. krishna as a little boy in the village where the trees blow and the water flows and the birds fly and the grass grows, in this village there are cows. and people and they go to the river and they go to get their water. and they go to the river and what do they see? an evil demon is pollutin
the hindu temples and india into the mogel time in india this come from hindu and western cultures brought together. when the mogels came from persia to north india they saw the story telling and thought it was a beautiful art form. they were not engaged with the story but saw the beauty in the footwork and hand movement. they brought the dancers into their courts. they were a form of entertainment. so, i want you to put your imagination caps on. we will go from the forest into a beautiful mogel palace. there are velvet carpets and peacocks walking around. there are beautiful paintings and everyone all of you, the audience have come to enjoy the court and the king sits on his thrown in the corner twirling his mustache and he called for his dancers and they come to the room. you are here to be entertained by them. this is called taught. taught is a highly stylized tuning of the mind and body together. you will see very fast turns ending in sharp stances and things with our eyes and eye brows and our neck, our hands. and you will also hear a language, which you might have heard. this is the
greets the good in all of you. who knows where is this is from? india. today we are sharing an form. we are members of the dance company based here in san francisco and we are taught by somebody who has been doing this art form for over 50 years much the ladies including myself we have been studying with him for a long time. you will see different things. lots of sounds with our feet. a little bit of story telling through mime and expression and you will learn about math in dance. who would have thought. today we will start, our next piece means the coloring of the stage. dancers show the hindu aspect of the dance by using the positions of our hands we will show you we are decorating the stage and make a water picture and cleaning the stage with the water. plucking flowers and decorating the stage with the petals of the flowers. we will awaken the 5 senses through the blowing of a conch shell. we will demonstrate the 3 duty, creator, producer and the destroyer in order to make way for new creation. [music] [applause] good morning. afternoon, actually. so, as you can see this is an elabo
be from india when i talk i sound like i'm from america. my parents are from india but i was born in america and i started this dance when i was 18. i was not a baby e. both charlotte and an drea did as well. charlotte at 15 years and joe airna and i 15 years. that's how we got in this program. we practiced very hard. very, very hard we practiced everyday and we have been been in india practicing 8 times where our teacher is from. yes. >> yes. >> well there are similarities all of southeast asia. we performed in bali with a group. it's a story from the [inaudible] and so the indian epiics actually the indian epiics for very common in cambodia and bali and thailand and there is a different aesthetic. all southeast asia and asia there are a lot of similarities. >> he is a male entity. he is not -- are you referring to the story? >> it's interesting you should say that. a unique indian concept is one of half male, half female. and that is -- unlike some dances the solo dancer portrays all of the parts in the story. you can portray a feminine aspect and then masculine aspect with
'll get all those countries, we have to go look at china. we have to reach out to india. i went down to mexico on an economic development mission and was the first governor to go there in four years from any state. we're missing a tremendous opportunity. >> thank you. governor brown, i'm sure you know that on any given day, people from other states are knocking on doors of co's in the valley and trying to get them to expand in other states or move to other states. someone in this room may have engaged in that. >> they cannot all expand in california. we are try to help california. quex their offering tax breaks. >> we are not offering a break. >> not only you. what do you say to the ceo's? what are you trying to do it? what are two or three things you are doing to keep companies here? >> we take specifics. i met yesterday with the representative of nissan and they're very interested and supportive of the installation of high-speed chargers throughout california. we have a plan, criticized by some but nevertheless, well funded by a legal settlement of $100 million. to get these chargi
india and from the south, and i am a civic attorney and i believe in the american dream and as it is exercised here in the beautiful city of san francisco and the state of california where i chose to live, but many california voters are voting with their feet and they are voting with their feet to leave the state of california. they are moving to nevada, texas and other parts of the country where they are less taxed and regulated and less burdened by rules such as calorie count on the menus such as the regulations regarding home care workers, it does not make sense to start a new business here in california. and frankly that is where the taxes come from in most states they come from businesses. as the businesses flee you are going to see the tax base flee and as legislatures such as senator leno continue to pass more legislation that impedes the freedom of business and citizens to exercise their rights you are going to see them vote with their feet and leave california. >> that attorneys me as someone who wants to retire and die in california i don't want to leave the s
animals and jungle and things i suppose from africa or perhaps india, but a lot of animals in it. as to get closer to the pieces, you realize that these are actually coutoure pieces. it is as though you have tamed the jungle. there is the extraordinary leopard dress that tells you where the coutoure are and how many hours of workmanship are in there. so when you pay the bill, perhaps it is justified. [laughter] there is one that was 1,032 hours of hand or again beating. they're very few designers i can think of in coutoure who would do something like that. we were used to seeing coutoure very much what i would call salon clothing, a very beautiful and very delicate, but not with the sentence animal, vegetable, natural being brought into coutoure. was doing coutoure for use something that you wanted to make coutoure different are doing it -- did it make you different as a designer? >> it is difficult to answer that question. maybe for me, i did not go to fashion school. i learned through looking what was about fashion in tv. at that time, it was only coutoure. and ready to wear. i
go to india or you go to the united states, go up to the dakotas, you go to missouri, you go to joplin, what you find is that people are more resilient than we give them credit for being. people will will come out in their community and help themselves given the opportunity. now, again, back to the politics. being a heavily kurdish region, they don't have the greatest relationship with istanbul, they don't have the greatest relationship with the turkish government. it's a completely different world. it's completely opposite. when their armed forces show up, it's not really lacked upon as a good thin. this is why i want to say thank you to our military that's here today, to the army, the navy, the military in general, the marines, the coast guard, even i saw a couple air force running around here yesterday. the fact that you are here and you are in san francisco and you do this every year, it says a lot. because we lack at -- look at this as a good week. we have a great working relationship and after being there and seeing that it's not a good relationship and people get
you rememberctionv to india basin and the bayview. in 1997 waterfront land use plan was adopted, the first waterfront land use plan for the port after a multi-year process. community planning process to develop -- to determine what the uses would be for that property, what kinds of uses would be acceptable and unacceptable for that 7-1/2 miles of waterfront property that we own and manage on behalf of the state. the main thrust of that waterfront land use plan was determining what the port priority uses would be, specifically in the maritime uses for the various subareas. there are five subareas within the waterfront land use plan. it also focused on park and open space systems as well as creating mixed use development, opportunity areas for each of the five -- each of the five subareas. i should mention again one of the primary thrust of the waterfront land use plan was reconnecting san francisco with its waterfront. when that plan was adopted, working with city family, the city's general plan and planning code were amended so that the policies including design review process w
Search Results 0 to 41 of about 42 (some duplicates have been removed)